Let’s begin by stating that Tom Ough’s The Anti-Catastrophe League is rather a triumph, the sort of book that one imagines being read in a comfortable armchair, with a roaring fire, a glass of excellent port, and perhaps an escape plan in case the supervolcano erupts mid-sentence. Mr Ough has set himself the enviable task of cataloguing the most stylish ways civilisation might be abruptly curtailed. He takes us from cosmic billiards (asteroids) to the wrath of the Earth’s own plumbing (supervolcanoes), with diversions into nuclear brinkmanship, pestilence, and that most fashionable of modern nightmares, rogue artificial intelligence. The effect…
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Hyperion – Dan Simmons Chaucer with Plasma Rifles, Pilgrimage with Purpose, and the Empire of Man at a Crossroads If The Canterbury Tales were rewritten aboard a torchship headed for the edge of annihilation, and every pilgrim carried a PhD, a sidearm, and a tragic backstory, you might find yourself somewhere near Hyperion, a novel that is as sweeping in scope as it is meticulous in moral inquiry. Dan Simmons’ Hyperion is many things: science fiction epic, philosophical meditation, poetic cathedral, and ecclesiopolitical thriller. But read through the Anglofuturist lens, it is something rarer still: a space-age parable about duty,…
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by Douglas Adams The End of the World, with a Cup of Tea and a Very British Towel If Anglofuturism had a slightly eccentric uncle who drank Pan Galactic Gargle Blasters for breakfast and still insisted on the importance of a well-folded towel, it would be The Hitchhiker’s Guide to the Galaxy. On the surface, Douglas Adams’ masterwork is a cosmic farce a surreal romp through time, space, bureaucracy, and the bewildering absurdity of modern life. But dig beneath the digital babblefish and improbability drives, and one finds something rather more Anglofuturist: a vision of the future in which dignity,…
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One part philosophical sparkplug, one part cultural handbook, this gem doesn’t just define Anglofuturism, it embodies it. Whether waxing lyrical about stoic engineers or detailing the aesthetics of a gentleman’s orbital workstation, d’Albini invites readers to join a movement not of protest, but of purposeful building. The tone? Rousingly optimistic, with just the right hint of arched eyebrow. It’s the sort of book one might keep in there cockpit for emergencies right next to the hip flask and monocle.